Opening with a series of slow motion shots of a semi-naked labourer working in the punishing heat, the body blackened by the coal is visually conducive of the ways in which the capitalist system comes to possess and devour the labourer. Fragmenting the body of the labourer to the detached sound of a rifle firing imagines the execution of Babulal Bhuiya, a worker who was killed by Industrial Security Guards in Feb 1981. Director Manjira Datta weaves an empathetic narrative that is grounded in the perspectives of oppressed labourers who slave away in the coal washeries to eek out a living. Venturing into the make shift homes of those who knew Babulal, Datta uses direct to camera interviews that catalogues a workers socialist struggle resisting a system in which Babulal’s murder is just one of many labourers who have been slain over the years. As a historical document of the crimes perpetrated by the state, a woman vividly recounts her reaction upon seeing the dead body of Babulal: ‘His face was decomposed. It looked poisoned. It was completely black’. Resistance comes through organized protests and expressly folk music that critiques class, caste and the political status quo in general. What Datta captures so palpably is the deplorable living conditions. Living nearby the coal slurry, workers exist in a primitive state with no drinking water and face relentless intimidation from the bloodthirsty coal company, of which the police is a natural extension. Although Datta’s approach is observational, the sequences used to bridge interviews have a poetic characteristic that comes through the rhythmical editing. Produced by the Media Workshop (New Delhi) and in association with Channel Four, Manjira Datta’s observational documentary is a searing example of political activism that ties in with the urgent Marxist address of works like Jai Bhim Comrade and more recently Court.