This six part series on the train in Indian cinema discusses the significance of iconography, ideology and genre.

Introduction:

https://moviemahal.net/2019/09/02/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-introduction/

Part 1:

https://moviemahal.net/2019/09/09/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-part-1-genre-theory-indian-cinema/

Part 2:

https://moviemahal.net/2019/09/16/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-part-2-the-train-as-action-spectacle/

Part 3:

https://moviemahal.net/2019/09/22/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-part-3-romancing-the-train/

Part 4:

https://moviemahal.net/2019/09/29/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-part-4-the-auteur-and-the-train-satyajit-ray-the-apu-trilogy/

Part 5:

https://moviemahal.net/2019/10/05/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-part-5-metonymy-of-the-train-partition-post-colonialism-and-trauma/

Part 6:

https://moviemahal.net/2019/10/13/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-part-6-stardom-and-the-train-shahrukh-khan/

Conclusion:

https://moviemahal.net/2019/10/19/genre-iconography-ideology-imaginings-of-the-train-in-indian-cinema-conclusion-new-filmic-spaces/