Author: Omar Ahmed

TIKLI AND LAXMI BOMB (Dir. Aditya Kripalani, 2017, India) – Sex and the City

The hectic roadside at night is a connective urban tributary in Tikli and Laxmi Bomb, a brazen, atypical and bleak observation of sex workers in Mumbai. Given the rise of female centred narrative cinema and the strong female protagonist, a cycle of films including Lipstick under my Burkha, Pink, Piku, Anarkali of Aarah, NH-10, Margarita […]

MUKKABAAZ / THE BRAWLER (Dir. Anurag Kashyap, 2017, India) – Fist of Fury [spoilers ahead]

Mukkabaaz ends with very little of the catharsis you would expect from a boxing biopic. But Kashyap’s latest venture uses the sports film trappings as a way of navigating the politics of caste against the backdrop of an unconventional Hindi romance. This one zips along, partaking a breathless, infectious energy and enjoys circumventing audience expectations […]

HOSTILES (Dir. Scott Cooper, 2017, US)

This unexceptional post-Western from director Scott Copper should have been a work about the historical, cultural and political trauma of the genocide of the Native American but instead decides to go down the suicidal cul-de-sac of ersatz genre cinema, flagrantly resurrecting parochial archetypes and unadventurous narrative situations so to make a false claim for revisionism. […]