film canons
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CANONIZING INDIAN PARALLEL CINEMA – PART 5: THE DEMISE (1990 – 1995)
It might seem a little difficult to fathom that Parallel Cinema lasted for such a long time, covering four decades. That’s why it might be more appropriate in the respect of this lengthy time frame to posit Parallel Cinema as a certain approach to making films and not a film movement. This fifth and final Continue reading
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Canonizing Indian Parallel Cinema – Part 4: The High Point (1980 – 1989)
This fourth period between 1980 and 1989 is a remarkable one in terms of how Parallel Cinema was able to find its biggest audiences. This was a period that also witnessed the inevitable augmentation of Middle Cinema. It was typified by films like Kalyug (The Machine Age, 1981), a cross-over work that saw Benegal continue Continue reading
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Canonizing Indian Parallel Cinema – Part 1: The foundational years/developmental phase (1968 – 1974)
There is a general consensus that Indian Parallel Cinema officially started in 1969 with the triptych of Bhuvan Shome, Uski Roti and Sara Akash. In 1968 B.K. Karanjia, former editor of Filmfare, was appointed chairman of the FFC. Prior to Karanjia’s appointment, the FFC, reluctant to support new cinema had been criticised for its support Continue reading
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INDIAN CINEMA 2013 – A Look Back
Pran, an icon of Hindi cinema, passed away in 2013. ‘Yahan kabootar bhi ek pankh se udta hai … aur doosre se apna izzat bachata hai.’ Here even the pigeon flies with one wing … and protects its honor with the other wing. – Gangs of Wasseypur It’s that time Continue reading
