The contributions of B. K. Karanjia to the story of Indian Parallel Cinema

In my writings I have talked at length on the contributions of key figures like Mrinal Sen to the rupture that unfolded in the late 60s but one name that goes amiss is that of B. K. Karanjia (1920 – 2012). It is worth stating that not much has been written on Karanjia in general,… Continue reading The contributions of B. K. Karanjia to the story of Indian Parallel Cinema

RK/RKAY (Dir. Rajat Kapoor, India, 2021) – Satirical Reflexivity

When we invited film director Rajat Kapoor to Manchester in 2017 as part of the first season of ‘Not Just Bollywood’, one of the things that came to light during our several conversations was his love of Federico Fellini. In many ways, RK/RKay is Rajat’s Eight and a Half (63) – a darkly comical love… Continue reading RK/RKAY (Dir. Rajat Kapoor, India, 2021) – Satirical Reflexivity

Thampu / The Circus Tent (Dir. Govindan Aravindan, 1978, India/Malayalam)

In the dialogue-less opening to Aravindan’s 1978 film Thampu, an open-air truck filled with seemingly ordinary people weaves it way languidly through the sunlit coastal roads of Thalassery, Kerala. This close-knit travelling circus, made up of a troupe of intrepid misfits and fantasists, have habitually made this journey before, living out a transient existence of… Continue reading Thampu / The Circus Tent (Dir. Govindan Aravindan, 1978, India/Malayalam)

Chidambaram (1985, Dir. Govindan Aravindan, India [Tamil])

When Shivagami (Smita Patil) arrives at a Mooraru government run farmhouse in Niligri as a newly wedded bride she is enamoured by the mountainous landscapes and in these fleeting moments of rapture Aravindan carves and crafts this awakening as a synchronic event that ties Shivagami to nature, an elemental conceptualization. Chidambaram is structured as a… Continue reading Chidambaram (1985, Dir. Govindan Aravindan, India [Tamil])