THE TWO JAKES (Dir. Jack Nicholson, 1990, US)

The Two Jakes is less a sequel and more of a flamboyant continuation and expansion of the sun kissed noir universe of Los Angeles that Polanski brought to life in Chinatown. Everyone knows a project of this type had no chance of working without the creative involvement of Robert Towne, Jack Nicholson and Robert Evans,… Continue reading THE TWO JAKES (Dir. Jack Nicholson, 1990, US)

THE MEAN SEASON (Dir. Phillip Borsos, 1985)

Long before Tom Cruise decided to patent the running on screen just to look cool thing, Kurt Russell was busting similar sprint speed marathons in many of his films. In The Mean Season, Russell really goes for it, bombing it through the streets of Miami so he can try and save his girlfriend from the… Continue reading THE MEAN SEASON (Dir. Phillip Borsos, 1985)

SONCHIRIYA (2019, India, dir. Abhishek Chaubey)

The Dacoit Western is a transnational film genre forged out of a synthesis between the Dacoit film and the Italian Western in the late 1960s and early 1970s. The dacoit in popular culture has undeniably been represented with ambivalence, chiefly as a romantic figure, existing outside mainstream society. Yet the rebellious nature of the dacoit,… Continue reading SONCHIRIYA (2019, India, dir. Abhishek Chaubey)

MANOOS/ADMI aka Life is for the Living (Dir. V. Shantaram, 1939, India)

Manoos (1939) opens with a deftly staged pre-Bressonian like shot of the camera tracking a pair of naked feet as it enters a brothel/gambling den, surveying the men illicitly playing cards on the floor. But this is a shot that pre-dates Bresson and also the opening shot to Hitchock’s Strangers on a Train, and points… Continue reading MANOOS/ADMI aka Life is for the Living (Dir. V. Shantaram, 1939, India)