Iconography
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Bollywood Flashback 1# – The cut-price vigilantism of SHAHENSHAH / King of Kings (Dir. Tinnu Anand, 1988, India)

Shahenshah thrives in the darkness, a nocturnal vigilante who stalks the crime infested city streets with a vicious outrage that is manifested through acts of cathartic violence. He is a cultural composite, an uncanny bricolage that absorbs and radiates a surfeit of cultural markers including DC’s The Punisher, Michael Jackson, RoboCop, and of course self Continue reading
