Balraj Sahni
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ANURADHA (Dir. Hrishikesh Mukherjee, 1960, India) – Feminine anxieties
Hrishikesh Mukherjee is often referred to as one of the forgotten film directors of Indian cinema. Admittedly, much of his work has been overlooked for reasons largely to do with an indistinct directorial style and the middle class sensibilities of his protagonists. The fact that Hrishikesh Mukherjee was a Bengali film maker and not an Continue reading
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DO BIGHA ZAMIN / TWO ACRES OF LAND (Dir. Bimal Roy, 1953, India)
INTRODUCTION The influence and enduring character of some films are unquestionable and Bimal Roy’s 1953 masterpiece ‘Do Bigha Zamin’ was one of the first mainstream Indian films to receive international acclaim; it was awarded the Prix Internationale at the 1954 Cannes Film Festival. Though it clearly was intended as a melodrama aimed at a mainstream Continue reading
