Category: Black Cinema

THE SPOOK WHO SAT BY THE DOOR (Dir. Ivan Dixon, 1973, US) – ‘You have just played out the American dream…now, we’re gonna turn it into a nightmare’

The high point of Blaxploitation political radicalism is commonly signposted with Melvin Van Peebles groundbreaking film – ‘Sweetback’. When considering the limitations of Blaxploitation cinema, the seminal nature of Peebles film should in no way exclusively act as the definitive reference point for the radicalism of the era or black cinema. Released in 1973, The […]