All posts filed under: Independent Cinema

GURGAON (Dir. Shanker Raman, 2017, India) – The Horrors of Economic Liberalization

Gurgaon is a vicious, nihilistic denunciation of India’s on going project of economic liberalization. I didn’t know much about Gurgaon but I soon discovered it is an emerging place for business and technology. This may not be important to our viewing pleasure but this film is very much about what Gurgaon symbolises in India right now – the question of economic progress. This vexing socio-economic question is articulated through the story of the landowner who is seduced by and concedes to capitalist overtures. In many ways, the story is a flipside to Bimal Roy’s pathbreaking Do Bigha Zamin, the definitive tale of capitalism vs. the worker, in which the peasant farmers go to extraordinary lengths to protect and hold on to land they have helped to cultivate over generations. The ending to Do Bigha Zamin sees the defeat of the farmer in the face of the inevitability of modernization, progress and capitalism. Whereas Bimal Roy suggested that resistance to industrialization was futile, the economic liberalization that we witness in Gurgaon is a corrosive phenomenon. The gambit …

MACHINES (Dir. Rahul Jain, 2016, India/Germany/Finland)

The worker as machine is not a new phenomenon. It goes as far back as the industrial revolution. But I have to admit though. I thought this documentary was going to be about the singularity of the physical, industrial and technological symbolism of machines. It still is in some respects. But Rahul Jain trains his eye on translating the processes of manufacture, waste and labour into a hypnotically poetic synthesis of the toils and uncertain rituals of economic liberalisation. And what rises to the surface through a series of revelatory interviews with the factory workers in particular is a voice that speaks not of Marxist revolution but of the want for better (and safer) working conditions, a reasonable work shift, and acknowledgement from the boss that they exist. The interviews with the workers are interspersed with observational footage in the labyrinthine textile factory, relaying a socio-political discourse aligned to a wider social conscience. But this sort of comes undone towards the end. In an instant, the quizzical workers reduce the filmic apparatus to an obsolete …