Canonizing Indian Parallel Cinema – Part 3: The Transitional Years (1978 – 1979)

This Third phase marked the transitioning of Parallel Cinema into perhaps the high point of creativity. During the Emergency, the FFC criteria was re-written in 1976, whereby avant-garde pursuits were discouraged and 'Indianness' promoted. Perhaps it would be absurd to say this was the beginning of the end but risk, adventure and experimentation would be… Continue reading Canonizing Indian Parallel Cinema – Part 3: The Transitional Years (1978 – 1979)

SALIM LANGDE PE MAT RO / Don’t Cry for Salim the Lame (Dir. Saeed Akhtar Mirza, 1989, India) – ‘Kutte Ki Maut…’

Salim Langde Pe Mat Ro is one of Mirza’s most disturbing films, exploring the contemporary identities of Indian Muslims in Mumbai, a work that serves as an extension and indirect follow up to M. S. Sathyu's Garam Hawa. In terms of research, Mirza spent time in the deprived milieu of Bombay, interviewing many hoodlums and… Continue reading SALIM LANGDE PE MAT RO / Don’t Cry for Salim the Lame (Dir. Saeed Akhtar Mirza, 1989, India) – ‘Kutte Ki Maut…’

GHASHIRAM KOTWAL (Dir. K. Hariharan, Mani Kaul, Kamal Swaroop, Saeed Mirza, 1976, India) – Experiments in Time & Space

Watching Ghashiram Kotwal is equivalent to a punch in the face, cinematically speaking of course, since here is a film, a belligerent work in terms of parallel cinema, antithetical to Indian Cinema. It was a film all but forgotten, salvaged from the Berlin film archive, and restored. Yet again preservation intervened in the historiography of… Continue reading GHASHIRAM KOTWAL (Dir. K. Hariharan, Mani Kaul, Kamal Swaroop, Saeed Mirza, 1976, India) – Experiments in Time & Space