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The Films of Mani Kaul: USKI ROTI (A Day’s Bread, 1970) – ‘The film is about waiting; it is deliberately slow.’
The opening shots of Uski Roti: the outstretched hand – a Bressonian idiom. ‘The environment of my kind of cinema, which is not experimental because I’ve always known what I’m doing and what the result will be, does not exist.’ ‘I am opposed to story-telling’ Mani Kaul in conversation with Sameer Shah The Sunday Observer, Continue reading
