Tag: Parallel Cinema

CALCUTTA 71 (Dir. Mrinal Sen, 1972, India) – ‘Calcutta was passing through a terrible time…’

Conviction is a virtual necessity of any kind of political cinema especially the one that claims to magnify the ills and sickness of society. Out of the Bengali triumvirate including Ray and Ghatak, Mrinal Sen was by far the most radical, advocating a leftist Naxalite inspired ideology whilst borrowing liberally from European modernists like Godard […]

SUBARNAREKHA / THE GOLDEN LINE (Dir. Ritwik Ghatak, 1962-1965, India) – Elliptical Elation

Ghatak’s exacting control over the rhythm of his films extended from Eisenstein’s theoretical and cinematic experimentation’s with political montage. Elliptical editing inevitably invites an ambiguity and fracture into linear narrative, creating discernible gaps that disorient the spectator. After what is an admittedly schizophrenic opening twenty minutes, Subarnarekha settles into a familiar classical rhythm and the […]