An online film journal for Indian Cinema
The opening titles of Ghatashraddha unfold over the bark of a tree in close up, an abstract image that has an unremitting primordial sentiment. Juxtaposed to this singular image is…
I’ve only really started to look at Bhuvan Shome so here are some tentative thoughts about the film, which I hope to return to at a later date. Bhuvan Shome is…
Pushan Kripalani’s superbly acted two-hander Chekhovian chamber piece resonates expressively with the barest of cinematic narrations; a married couple in their sixties have reached a crossroads that results in Rinku…
The worker as drone is a familiar enough image these days, ubiquitous with the way corporate companies suffocate the life out of its employees so that they can maximise profits.…
