Omar Ahmed
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THE TWO JAKES (Dir. Jack Nicholson, 1990, US)

The Two Jakes is less a sequel and more of a flamboyant continuation and expansion of the sun kissed noir universe of Los Angeles that Polanski brought to life in Chinatown. Everyone knows a project of this type had no chance of working without the creative involvement of Robert Towne, Jack Nicholson and Robert Evans, Continue reading
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KADAKH (Dir. RAJAT KAPOOR, 2019, India) [spoilers]
![KADAKH (Dir. RAJAT KAPOOR, 2019, India) [spoilers]](https://moviemahal.net/wp-content/uploads/2020/09/kadakh.png?w=1024)
There is a dead body in your apartment but you have a plethora of guests arriving for a party to celebrate Diwali very shortly. So what exactly do you do? It is a sinister dilemma faced by somewhat ordinary people going through a tinderbox of emotions. In other words, the perfect Hitchcockian predicament since the Continue reading
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Modernism by Other Means: the films of Amit Dutta – Srikanth Srinivasan (Lightcube, 2020)

Srikanth Srinivasan’s (aka JAFB who writes at his legendary site The Seventh Art) first monograph is a great book about Indian cinema. It is a great book about a filmmaker. Srikanth lists himself as a film critic on the jacket of his book, which he rightly is, but this work is very much that of Continue reading
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AMERICAN HEART (Dir. Martin Bell, 1992)

The solitary yet exceptional full length feature by filmmaker Martin Bell is one of the purest attempts at neo-realism in American cinema, effortlessly detailing the painful relationship between a father (Jeff Bridges) and son (Edward Furlong) in the scuzzy underbelly of Seattle. Anchored in what is a characteristically threadbare neorealist plot that finds father and Continue reading
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JOSHUA (Dir. George Ratliff, 2007)

The Yuppies are back (did they really ever go away?) in this expertly crafted psychological thriller that fuses the ornately technical sensibilities of Polanski’s Rosemary’s Baby with the bombast of The Omen. The result is one very claustrophobic work, visualising the descent of a family into ruin who become increasingly imprisoned in their high-class New Continue reading
