The Dacoit Western is a transnational film genre forged out of a synthesis between the Dacoit film and the Italian Western in the late 1960s and early 1970s. The dacoit in popular culture has undeniably been represented with ambivalence, chiefly as a romantic figure, existing outside mainstream society. Yet the rebellious nature of the dacoit, […]
Category: New Indian Cinema
MAYA (Dir. Vikas Chandra, 2018, India)
Maya, a tightly scripted short film directed by the talented Vikas Chandra, opens with the face of a child. The palpable image of the child establishes a mark of innocence and youth, positing the broader themes of growing old, death and companionship. Maya, played by Kirti Kulhari, is a modern-day middle class woman who cares […]
SIR (Dir. Rohena Gera, 2018, India-France)
Set in contemporary Mumbai Sir is a sharply crafted romantic melodrama, full of warmth, about a benign architect, Ashwin (Vivek Gomber) and a migrant servant, Ratna (Tillotama Shome). The script is sharply written and brings to life the complexities of Ratna and Ashwin who are are bound by class and caste. Although they are two […]
TUMBBAD (Dir. Rahi Anil Barve, Adesh Prasad, India/Sweden, 2018)
A bewitching and meaty horror with an elemental sensibility, Tumbbad uses the archetypal Indian trope of the Mother Goddess to give us a perennial treatise on greed. Tumbbad’s tactile and sensory approach recalls atmospheric films like The Keep (1983) and Sorcerer (1977), combining the supernatural, mythology and history into something deeply atavistic. The expressionistic use […]
