Mrinal Sen
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Chalchitra / Kaleidoscope (1981, Dir. Mrinal Sen, India)
This semi-comical snapshot of the middle class Bengali experience in Kolkata is apparently a minor work in Sen’s oeuvre. The story is slight; a young Bengali man Dipu (Anjan Dutta) aspires to be a journalist and as a sort of test of creativity, the editor of a newspaper (Utpal Dutta) asks Dipu to write a Continue reading
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KHARIJ / THE CASE IS CLOSED (Dir. Mrinal Sen, 1982, India)
A cold front has swept across the city of Calcutta, bringing it to a near stand still. But it’s not just the weather too blame for the prejudices harboured by a middle class family residing in Calcutta. One day an impoverished father, Hari (Dehapratim Das Gupta), comes to their home with a proposition; will the Continue reading
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AKALER SANDHANE / IN SEARCH OF FAMINE (Dir. Mrinal Sen, 1981, India)
It is clear to see Mrinal Sen’s 1983 film Khandhar is in fact an extension and a companion piece to his 1981 film Akaler Sandhane considered by many to be his masterpiece. Thematically both films use the figure of the artist – in this case a film maker to interrogate the conflict between the old Continue reading
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KANDAHAR / THE RUINS (Dir. Mrinal Sen, 1983, India)
The gaze of the photographer Subhash (Naseeruddin Shah) is one that shows little compassion for the predicament of those imprisoned in the past. Whilst the initial reaction to marry Jamini (Shabana Azmi) is motivated by sentiment, it holds no actual validity or merit when the decisive moment arises. Subhash sees reality through the lens of Continue reading
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PADATIK / THE GUERRILLA FIGHTER (Dir. Mrinal Sen, 1973, India) – ‘Go to war…’
‘PADATIK has something to do with the contemporary political scene…To my mind, I tried to analyze the political situation the way I felt it would be done. It could have been clearer but I felt that even this should be done. We had arrived at a point when the Left movement was lying low and Continue reading
