Category: Neo noir

BLACKHAT (Dir. Michael Mann, 2015, US) – Moments, Impressions and Aesthetics

Defining moments in films can go unnoticed since the visual expressionism of most filmmakers is relatively provincial, acquiescing to broader commercial empathies. It is not right to reduce or distil the essence of Mann’s films to mere moments, as this would make the claim his films work fleetingly and intermittently. Moments can also be interpreted […]

THIEF (Michael Mann, 1981, US) – Proletarian Politics

Genre readings of Michael Mann’s debut feature film Thief are relatively inclined to explore both the crime film and neo noir which seem to intersect as a form of postmodern existential hybridity. Mann could have easily worked in the Hollywood studio era since he works specifically within genres. Separation for Mann from his contemporaries especially […]