Anurag Kashyap
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MUKKABAAZ / THE BRAWLER (Dir. Anurag Kashyap, 2017, India) – Fist of Fury [spoilers ahead]
Mukkabaaz ends with very little of the catharsis you would expect from a boxing biopic. But Kashyap’s latest venture uses the sports film trappings as a way of navigating the politics of caste against the backdrop of an unconventional Hindi romance. This one zips along, partaking a breathless, infectious energy and enjoys circumventing audience expectations Continue reading
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BOMBAY VELVET (Dir. Anurag Kashyap, 2015, India) – Bollywood Intermezzo
Ambition can be a cruel thing: blinding, deceptive and bellicose. It can mean adulation and reverence for an artist while at the same it can produce sharp reactionary criticism. Imaginably worst of all is the euphemism ‘ambitious failure’ expressly for a film director who may have spent years on a project only to see it Continue reading
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NH10 (Dir. Navdeep Singh, 2015, India) – Hindie Urbanoia
The quartet of Anurag Kashyap, Vikramaditya Motwane, Madhu Mantena and Vikas Bahl founded Phantom Films in 2011. Since then Phantom has produced a notable slate of Hindie films with differing mainstream sensibilities. Films such as Lootera, Queen and Ugly have featured popular Indian film stars. This has been balanced out with edgy scripts, new directors, Continue reading
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UGLY (Anurag Kashyap, 2013, India)
Director Anurag Kashyap really knows how to cast his films, finding actors (rather than working with stars) with the right level of anxiety in their faces, inculcating a strange volatility in the audience. Ugly could almost be a companion piece to Peddlers, a film produced by Kashyap and which is stuck in distribution hell with Continue reading
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UDAAN / FLIGHT (Dir. Vikramaditya Motwa, 2010, India) – Breaking Away
Most of the comings of age melodramas originating from Indian cinema have tended to have any emotional discourse corrupted by all manners of cinematic hyperbole. This gamut of unpleasant exaggerations have included parents as one dimensional caricatures, the urgency to equate adolescence with sexuality – resulting in the traditional and deliberately overplayed falling in love Continue reading
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