Horror
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INVASION OF THE BODY SNATCHERS (Dir. Philip Kaufman, 1978, US)
* * * * Revisiting Philip Kaufman’s Invasion of the Body Snatchers in a pristine 4K transfer reaffirms its status as a paragon of the horror-science fiction hybrid, a genre blend rarely executed with such finesse. Very few filmmakers have been able to pull it off – Carpenter with The Thing (1982) is one of Continue reading
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JOSHUA (Dir. George Ratliff, 2007)
The Yuppies are back (did they really ever go away?) in this expertly crafted psychological thriller that fuses the ornately technical sensibilities of Polanski’s Rosemary’s Baby with the bombast of The Omen. The result is one very claustrophobic work, visualising the descent of a family into ruin who become increasingly imprisoned in their high-class New Continue reading
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TUMBBAD (Dir. Rahi Anil Barve, Adesh Prasad, India/Sweden, 2018)
A bewitching and meaty horror with an elemental sensibility, Tumbbad uses the archetypal Indian trope of the Mother Goddess to give us a perennial treatise on greed. Tumbbad’s tactile and sensory approach recalls atmospheric films like The Keep (1983) and Sorcerer (1977), combining the supernatural, mythology and history into something deeply atavistic. The expressionistic use Continue reading
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THE KEEP (Dir. Michael Mann, 1983, US) – Atmospheric Exegesis
Given Mann’s consolidation as perhaps American cinema’s greatest film auteur does a film like The Keep hold any bearing on his reputation today? What can the film tell us about Mann that we don’t already know? The Keep is the film that Mann has rarely acknowledged. It had a troubled production history and Mann’s original Continue reading
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NH10 (Dir. Navdeep Singh, 2015, India) – Hindie Urbanoia
The quartet of Anurag Kashyap, Vikramaditya Motwane, Madhu Mantena and Vikas Bahl founded Phantom Films in 2011. Since then Phantom has produced a notable slate of Hindie films with differing mainstream sensibilities. Films such as Lootera, Queen and Ugly have featured popular Indian film stars. This has been balanced out with edgy scripts, new directors, Continue reading
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