Neo noir
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BOMBAY VELVET (Dir. Anurag Kashyap, 2015, India) – Bollywood Intermezzo
Ambition can be a cruel thing: blinding, deceptive and bellicose. It can mean adulation and reverence for an artist while at the same it can produce sharp reactionary criticism. Imaginably worst of all is the euphemism ‘ambitious failure’ expressly for a film director who may have spent years on a project only to see it Continue reading
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Sunrise / Arunoday (Dir. Partho Sen-Gupta, 2014, France/India)
Director Partho Sen-Gupta talks about the oneirophrenic space, a space that is both hallucinatory and metaphysical, realised in his latest film Sunrise with an audio-visual clarity, hauntingly rendering grief as eternal. I can’t remember the last time I saw a film that used rain with such cinematic dexterity, enveloping the screen as not only an Continue reading
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BLACKHAT (Dir. Michael Mann, 2015, US) – Moments, Impressions and Aesthetics
Defining moments in films can go unnoticed since the visual expressionism of most filmmakers is relatively provincial, acquiescing to broader commercial empathies. It is not right to reduce or distil the essence of Mann’s films to mere moments, as this would make the claim his films work fleetingly and intermittently. Moments can also be interpreted Continue reading
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BADLAPUR (Sriram Raghavan, 2015, India) – Purgatory
Director Sriram Raghavan fourth directorial feature Badlapur opens with a brave bit of tableaux cinema. We can’t quite figure out where to look; the frame is wide open with the camera observing at a distance everyday street life, all in a single take. A bank robbery and the violent getaway disrupts the ordinariness of the Continue reading
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UGLY (Anurag Kashyap, 2013, India)
Director Anurag Kashyap really knows how to cast his films, finding actors (rather than working with stars) with the right level of anxiety in their faces, inculcating a strange volatility in the audience. Ugly could almost be a companion piece to Peddlers, a film produced by Kashyap and which is stuck in distribution hell with Continue reading
