Social Realism
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DASTAK (Dir. Rajinder Singh Bedi, 1970, India) – The Vagaries of Parallel Cinema
The New Cinemas project over at Indiancine.ma is one of the first inclusive efforts to historicise and catalogue the films made between 1969 and 1980 that form the basis of parallel cinema. The canon assembled to date is a fascinating one; likely to trigger much debate about what criteria has been used to determine which Continue reading
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DEUX JOURS, UNE NUIT / TWO DAYS, ONE NIGHT (The Dardennes, 2014) – Try not to breathe
Two Days, One Night continues an abiding interest in female driven narratives which has marked many of the films directed by The Dardennes. Could we call Two Days, One Night the final part in a trilogy of films, started in 2008 with The Silence of Lorna and also including The Kid with a Bike, that Continue reading
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THE PLACE BEYOND THE PINES (Dir. Derek Cianfrance, 2012, US) – Eclipse of the Son [Spoilers ahead!]
I’m still convinced that as Ryan Gosling gets older he’s going to eventually look like Jimmy Stewart; it’s that curvature of his elongated face and dewy eyes. Much has been made of Gosling’s performance in this latest feature from director Derek Cianfrance and it is suggestive to the film. Gosling is a performer who is Continue reading
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LAND AND FREEDOM (Dir. Ken Loach, 1995, UK/Spain/Germany/Italy) – Transformative Political Cinema
The POUM militia – The Workers Party of Marxist Unification. ‘Come, join in the only battle wherein no man can fail, Where whoso fadeth and dieth, yet his deed shall still prevail.’ The cinema of Loach is transformative. What this means is that his way of looking at reality, which is through a leftist internationalist Continue reading
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SARA AKASH / THE WHOLE SKY (Dir. Basu Chatterjee, 1969, India) – Marital Bliss
How often has it been stated and reiterated that 1969 was a seminal year for film making in India as it signalled the emergence of New Indian Cinema. Whilst Mani Kaul and Mrinal Sen more or less remained resolutely independent in both form and content throughout their later years the same cannot be said for Continue reading
