The hectic roadside at night is a connective urban tributary in Tikli and Laxmi Bomb, a brazen, atypical and bleak observation of sex workers in Mumbai. Given the rise of female centred narrative cinema and the strong female protagonist, a cycle of films including Lipstick under my Burkha, Pink, Piku, Anarkali of Aarah, NH-10, Margarita […]
Category: Gender
BOMBAY TALKIE (Dir. James Ivory, 1970, US/India) – ‘Typewriter, Tip, Tip, Tip…’
Ismail Merchant and James Ivory were illustrious and varied collaborators and with a career spanning over 40 years it was one of the most substantial partnerships in modern cinema. I have yet to see a lot of their work but the more films I encounter the more appreciative I am of what they have achieved […]
SUJATA (Dir. Bimal Roy, 1959, India) – Authorial Peaks
The release of Sujata in 1959 marked the end of director Bimal Roy’s most prolific and creative period. Beginning with Do Bigha Zamin in 1953, Roy’s output in the fifties rivalled only that of Guru Dutt, Mehboob Khan and Raj Kapoor. However, the major difference […]
